Stubenhockerei

Wir gehen nie hinaus, wir bleiben nur zuhaus'.

Film als subversive Kunst {Amos Vogel}

Als ich, filmisch noch unerfahren, aber schon sehr neugierig, Amos Vogels Film als subversive Kunst vor vielen Jahren für ’nen Fünfer bei Zweitausendeins erstand, war es, als entdeckte ich ein geheimes Land; wie Bildbände exotischer Länder in Menschen Fernweh auslösen, ließ mich dieser Blick ins (Un)Bewußtsein der Filmgeschichte träumen und weckte eine ungemeine Sehnsucht nach all den darin verborgenen Bildern und Geschichten. Mit dem Verzeichnis des Buches bewaffnet machte ich mich mit den mir damals zur Verfügung stehenden Mitteln auf die Suche nach den Filmen, gab aber schon irgendwann bei B frustriert auf; das Buch las ich trotzdem – aber wie erfüllend kann das schon sein, wenn man selten mal einen der Filme zu sehen bekommt. Inzwischen gibt es Mittel und Wege, auch einige der obskureren Filme aufzutreiben und so wollen wir uns in den nächsten Monaten, Jahren, ein wenig von Amos Vogel durch die Filmgeschichte leiten lassen.

Dieses Buch versteht sich selbstverständlich nicht als ein ultimatives Werk. Es reicht dem Interessierten, aber etwas Orientierungslosen, die Hand, eine Karte und einen Kompass, um sich im Labyrinthischen des Filmhirns zu orientieren. Dabei gewährt es einen Blick durch den Türspalt zum Experimentellen und Künstlerischen, vergisst dabei aber nicht zu erwähnen, dass auch ein eher konventionell gemachter Film subversives Potential in sich tragen kann – es leitet den Gewillten an, seinen Gefühlen und Bedürfnissen, seinen Sehnsüchten und seiner Neugier zu folgen und sich nicht allzu sehr von Genres und Kategorien bedrohen zu lassen.

Und nicht zuletzt ist es ein Appell an den Menschen, sein Hirn nicht verrotten zu lassen, sondern stets bereit zu sein, sich selbst und seine Position zu hinterfragen, denn: „Die Geschichte lehrt uns, dass diese Versuche, uns in Menschen zu verwandeln, zwangsläufig weitergehen werden.“ (Vorwort zur Neuauflage; Amos Vogel, New York, 1997) Und die Geschichte und der Mensch konzentrieren sich in keinem anderen Medium so sehr wie im Film. Zu schade ist es, dass solche Appelle eigentlich nur Jene erreichen, die schon offen dafür sind. Aber für diese Menschen ist dieses kluge und kurzweilige Buch ein unglaublicher Glücksfall. (Malina; Oct’13)

» Inhaltsverzeichnis

Liste geklaut von The Subversive Nub.

1895

1903

1915

  • Second Coming, The {William Adler, 1915, USA} [nicht auffindbar]
  • Vampires (Les Vampires) {Louis Feuillade, 1915, France}
  • Work {Charles Chaplin, 1915, USA}

1919

1921

1922

  • Nosferatu {F. W. Murnau, 1922, Germany}
  • Pilgrim, The {Charles Chaplin, 1922, USA}
  • Witchcraft Through The Ages (Haxan) {Benjamin Christensen, 1922, Sweden}

1924

  • Diagonal Symphony (Diagonale Symphonie) {Viking Eggeling and Hans Richter, 1924, Germany}
  • Last Laugh, The (Der Letzte Mann) {F. W. Murnau, 1924, Germany}
  • Late Matthew Pascal, The (Feu Mathias Pascal) {Marcel L Herbier, 1924, France}
  • Navigator, The {Buster Keaton and Donald Crisp, 1924, USA}
  • Ballet Mécanique {Fernand Leger, 1924, France}
  • Strike (Stachka) {Sergei M. Eisenstein, 1924, USSR}
  • Big Business {J. W. Horne, 1924, USA}

1925

  • Everready {Anonymous, 1925, USA}
  • Battleship Potemkin (Bronenosets Potyomkin) {Sergei M. Eisenstein, 1925, USSR}
  • Variety (Variété) {Ewald Andre Dupont, 1925, Germany}

1926

  • Anemic Cinema {Marcel Duchamp, 1926, France}
  • By The Law (Pozakonu) {Lev Kuleshov, 1926, USSR}

1927

  • End of St Petersburg, The (Konyets Sankt-Peterburga) {V. I. Pudovkin, 1927, USSR}
  • October (Oktyabr) {Sergei M. Eisenstein, 1927, USSR}
  • Bed And Sofa (Tretya Meschanskaya) {Abram Room, 1927, USSR}
  • Casanova {Alexander Wolkov, 1927, France}
  • Cat And The Canary, The {Paul Leni, 1927, USA}

1928

  • Pandoras Box (Die Büchse Der Pandora) {G. W. Pabst, 1928, Germany}
  • Queen Kelly {Erich Von Stronheim, 1928, USA}
  • Storm Over Asia (Potomok Chingis-Khan) {V. I. Pudovkin, 1928, USSR}

1929

  • Andalusian Dog, An (Un Chien Andalou) {Luis Buñuel, 1929, France}
  • H₂O {Ralph Steiner, 1929, USA}
  • Man With The Movie Camera, The (Chelovek A Kinoapparatom) {Dziga Vertov, 1929, USSR}
  • Arsenal {Alexander Dovzhenko, 1929, USSR}
  • Old And The New, The {Sergei M. Eisenstein, 1929, USSR}

1930

  • Âge D‘ Or, L {Luis Buñuel, 1930, France}
  • Earth (Zemlya) {Alexander Dovzhenko, 1930, USSR}
  • A Propos De Nice {Jean Vigo, 1930, France}
  • Time In The Sun {Marie Seton and Burnford from Sergei M. Eistenstein, 1930, USA}
  • Blood Of A Poet, The (Le Sang D’Un Poete) {Jean Cocteau, 1930, France}
  • Blue Angel, The (Der Blaue Engel) {Josef von Sternberg, 1930, Germany}

1931

  • Idea, The (L’ldee) {Berthold Bartosch, 1931, France}
  • M {Fritz Lang, 1931, Germany}
  • Que Viva Mexico {Sergei M. Eisenstein, 1931, Mexico}
  • Vampyr {Carl Theodor Dreyer, 1931, Germany/France}

1932

  • Freaks {Tod Browning, 1932, USA}
  • Horse Feathers {Norman McLeod, 1932, USA}
  • Land Without Bread (Las Hurdes) {Luis Buñuel, 1932, Spain}
  • Blue Light, The (Das Blaue Licht) {Leni Riefenstahl and Béla Balázs, 1932, Germany}

1933

  • Ectasy (Extase) {Gustav Machaty, 1933, Czechoslovakia}
  • Hans Westmar {Franz Wenzler, 1933, Germany}
  • Hitlerjunge Quex {Hans Steinhoff, 1933, Germany}
  • King Kong {Merian C. Cooper and Ernest B. Schoedsack, 1933, USA}
  • She Done Him Wrong {Lowell Sherman, 1933, USA}
  • Zero for Conduct (Zéro De Conduite) {Jean Vigo, 1933, France}
  • Borinage {Joris Ivens and Henri Storck, 1933, Belgium}

1934

  • Death Day {Sergei M. Eisenstein (visuals), 1934, Mexico}

1936

  • Modern Times {Charles Chaplin, 1936, USA}
  • Triumph Of The Will (Triumph Des Willens) {Leni Riefenstahl, 1936, Germany}

1937

  • Spanish Earth, The {Joris Ivens, 1937, USA}

1938

  • Alexander Nevsky {Sergei M. Eisenstein, 1938, USSR}
  • Olympia {Leni Riefenstahl, 1938, Germany}
  • Rules Of The Game, The (La Regie Du Jeu) {Jean Renior, 1938, France}

1940

  • Eternal Jew, The (Der Ewige Jude) {Fritz Hippler, 1940, Germany}
  • Jud Suess (Jud Suss) {Veit Harlan, 1940, Germany}
  • Baptism Of Fire (Feuertaufe) {Hans Bertram, 1940, Germany}

1943

  • Day Of Wrath (Vredens Dags) {Carl Theodor Dreyer, 1943, Denmark}
  • Meshes Of The Afternoon {Maya Deren, 1943, USA}

1943/4

  • Warsaw Ghetto {Anonymous, 1943/4, Germany}

1945

  • Ivan The Terrible (Ivan Grozny) {Sergei M. Eisenstein, 1945, USSR}
  • Rome, Open City (Roma, Citta Aperta) {Roberto Rossellini, 1945, Italy}

1946

  • Fragment Of Seeking {Curtis Harrington, 1946, USA}
  • Private Life Of A Cat, The {Alexander Hammid, 1946, USA}
  • Vow, The {Mikhail Chiaureli, 1946, USSR}

1947

  • Fireworks {Kenneth Anger, 1947, USA}
  • Monsieur Verdoux {Charles Chaplin, 1947, USA}
  • World of Paul Delvaux, The (Le Monde De Paul Delvaux) {Henri Storck, 1947, Belgium}
  • Camps of The Dead {Allied cameramen, 1947, France}

1948

  • Deadline For Action {Union Films, 1948, USA}
  • Distant Journey (Ghetto Terezin) {Alfred Radok, 1948, Czechoslovakia}
  • Dreams That Money Can Buy {Hans Richter, 1948, USA}
  • Loops {Norman McLaren, 1948, Canada}
  • Miracle, The (II Miracolo) {Roberto Rossellini, 1948, Italy}
  • Rope {Alfred Hitchcock, 1948, USA}

1949

  • Lead Shoes, The {Sidney Peterson, 1949, USA}
  • Mr Frenhofer And The Minotaur {Sidney Peterson, 1949, USA}
  • Power of Plants {Paul F. Moss and Thelma Schnee, 1949, USA}
  • Bicycle Thief (Ladri Di Biciclette) {Vittorio de Sica, 1949, Italy}
  • Blood Of The Beasts, The (Le Sang Des Betes) {Georges Franju, 1949, France}

1950

  • Eaten Horizons (Spiste Horisonter) {Wilhelm Freddie, 1950, Denmark}
  • Flowers Of St Francis, The (Francesco, Giullare Di Dio) {Roberto Rossellini, 1950, Italy}
  • Images Of Madness (Images De La Folie) {Eric Duvivier, 1950, France}
  • Atom Strikes, The {Army Pictorial Service, US Signal Corps for War Department, 1950, USA}
  • Young And The Damned, The (Los Olvidados) {Luis Buñuel, 1950, Mexico}

1950s

  • None Story, The {Stag, 1950s, USA}

1951

  • Rashomon {Akira Kurosawa, 1951, Japan}
  • Smart Aleck {Stag, 1951, USA}

1952

  • Forbidden Games (Jeux Interdits) {Rene Clement, 1952, France}
  • Go Slow On The Brighton {Donald Smith, 1952, Great Britain}
  • Hallucinations {Peter Weiss, 1952, Sweden}
  • Latuko {Museum of Natural History, 1952, Sudan}
  • Limelight {Charles Chaplin, 1952, USA}

1953

  • Constitution And Censorship {Stephen Sharff, 1953, USA}
  • O Dreamland {Lindsay Anderson, 1953, Great Britain}
  • Pleasure Garden, The {James Broughton, 1953, Great Britain}
  • Bells Of Atlantis {Ian Hugo, 1953, USA}
  • When Love Fails {Michelangelo Antonioni, 1953, Italy}

1954

  • Circle Of Love (La Ronde) {Max Ophüls, 1954, France}
  • Diary Of A Country Priest (Journal D“ Un Cure De Campagne) {Robert Bresson, 1954, France}
  • Impures, Les {Pierre Chevalier, 1954, France}

1955

  • Criminal Life Of Archibaldo De La Cruz (Ensayo De Un Crimen) {Luis Buñuel, 1955, Mexico}
  • Cuckoo Waltz {Edward van Moerkerken, 1955, Holland}
  • Diabolique (Les Diaboliques) {Henri-Georges Clouzot, 1955, France}
  • Disorder (Desordre) {Jacques Baratier, 1955, France}
  • Gran Siguriya, La {Jose Val Del Omar, 1955, Spain}
  • Magritte {Luc De Heusch, 1955, Belgium}
  • No More Fleeing (Nicht Mehr Fliehen) {Herbert Vesely, 1955, West Germany}
  • Between Two Worlds {Sam Kaner and Guy Coté, 1955, Great Britain}
  • What, Who, How {Stan Vanderbeek, 1955, USA}

1956

  • Day In Town, A (En Dag I Staden) {Pontus Hulten and Hans Nordenstrom, 1956, Sweden}
  • Door In The Wall, The {Glenn H. Alvey, 1956, Great Britain}
  • And God Created Woman (Et Dieu Crea La Femme) {Roger Vadim, 1956, France}
  • Invasion Of The Body Snatchers, The {Don Siegel, 1956, USA}
  • Skullduggery {Stan Vanderbeek, 1956, USA}
  • Warsaw 1956 (Warsawa 1956) {Jerzy Bossak and Waclaw Kazimierczak, 1956, Poland}

1957

  • Fantastic Vision (Visions Fantastiques) {Eugene Deslaw, 1957, Spain/Switzerland}
  • Free Radicals {Len Lye, 1957, USA}
  • Anticipation Of The Night {Stan Brakhage, 1957, USA}
  • Inauguration Of The Pleasure Dome {Kenneth Anger, 1957, USA}
  • Incredible Shrinking Man, The {Jack Arnold, 1957, USA}
  • 8×8 – A Chess Sonata {Hans Richter, 1957, USA}
  • Man And Dog Out For Air {Robert Breer, 1957, USA}
  • Marines, The (Les Marines) {Francois Reicenbach, 1957, France}
  • Arnulf Rainer {Peter Kubelka, 1957, Austria}
  • Smiles Of A Summer Night (Sommarnattens Leende) {Ingmar Bergman, 1957, Sweden}
  • Touch Of Evil {Orson Welles, 1957, USA}
  • Two Men And A Wardrobe (Dwaj LudzicZ Szafa) {Roman Polanski, 1957, Poland}

1958

  • Fotodeath {Al Kouzel, 1958, USA}
  • Home (Dom) {Walerian Borowczyk and Jan Lenica, 1958, Poland}
  • It Is Good To Live {Fumio Kamei, 1958, Japan}
  • Japanese Sword, The (Nihonto – Monogatari) {T. Asano, 1958, Japan}
  • Lovers, The (Les Amants) {Louis Malle, 1958, France}
  • Movie, A {Bruce Conner, 1958, USA}
  • NY, NY {Francis Thompson, 1958, USA}
  • Nazarin {Luis Buñuel, 1958, Mexico}
  • L’Opera Mouffe {Agnes Varda, 1958, France}
  • Pickpocket {Robert Bresson, 1958, France}
  • Some Like It Hot {Billy Wilder, 1958, USA}
  • Vertigo {Alfred Hitchcock, 1958, USA}
  • Black And White Burlesque {Richard Preston, 1958, USA}
  • Butterflies Do Not Live Here (Motyli Tady Neziji) {Miro Bernat, 1958, Czechoslovakia}

1958/60

  • Paris Belongs To Us (Paris Nous Appartient) {Jacques Rivette, 1958/60, France}

1959

  • Cry Of Jazz, The {Edward Bland, 1959, USA}
  • Forbidden Bullfight (Corrida Interdite) {Denys Colomb de Daunant, 1959, France}
  • Hiroshima Mon Amour {Alain Resnais, 1959, France/Japan}
  • Angel Has Fallen, An {Roman Polanski, 1959, Poland}
  • Holiday On Sylt (Urlaub Auf Sylt) {Annelie and Andrew Thorndike, 1959, East Germany}
  • Imitation Du Cinema, L {Marcel Marien, 1959, Belgium}
  • Archives Testify, The {Annelie and Andrew Thorndike, 1959, East Germany}
  • Pull My Daisy {Robert Frank and Alfred Leslie, 1959, USA}
  • Running, Jumping And Standing Still Film, The {Richard Lester, Peter Sellers, 1959, Great Britain}
  • Sirius Remembered {Stan Brakhage, 1959, USA}
  • Window Water Baby Moving {Stan Brakhage, 1959, USA}
  • Breathless (A Bout De Souffle) {Jean-Luc Godard, 1959, France}

195?

  • Living In A Reversed World {Theodor Wrismann and Ivo Kohler, 195?, Austria}

1960

  • Good Morning (Ohayo) {Yasujiro Ozu, 1960, Japan}
  • Homage to Jean Tinguely {Robert Breer, 1960, USA}
  • Innocent Sorcerers, The (Niewinni Czarodzieje) {Andrzej Wajda, 1960, Poland}
  • Journey to Boscavia {Bosc, 1960, France}
  • Avventura, L‘ {Michelangelo Antonioni, 1960, Italy}
  • Operation Abolition {Newsreel, 1960, USA}
  • Psycho {Alfred Hitchcock, 1960, USA}
  • Psychomontage {Eberhard and Phyllis Kronhausen, 1960, USA}
  • Science Friction {Stan Vanderbeek, 1960, USA}
  • To Live (Vivre) {Carlos Vilardebo, 1960, France}
  • Village Of The Damned {Wolf Rilla, 1960, Great Britain}
  • Chant D Amour, Un {Jean Genet, 1960, France}

1961

  • Aktion J {Walter Heynowski, 1961, East Germany}
  • Don Quixote (Don Kihote) {Vlado Kristl, 1961, Yugoslavia}
  • Allures {Jordan Belson, 1961, USA}
  • Fire Walkers, The (Anasternaria) {Roussos Condouros, 1961, Greece}
  • Gift, The (Le Cadeau) {Jacques Vausseur and Dick Roberts, 1961, France}
  • House, The (Het Huis) {Louis A. van Gasteren, 1961, Netherlands}
  • Last Year At Marienbad (L’Annee Derniere A Marienbad) {Alain Resnais, 1961, France/Italy}
  • Mother Joan Of The Angels (Matka Joanna Od Aniolow) {Jerzy Kawalerowicz, 1961, Poland}
  • Mothlight {Stan Brakhage, 1961, USA}
  • Notte, La {Michelangelo Antonioni, 1961, Italy/France}
  • A La Mode {Stan Vanderbeek, 1961, USA}
  • Bad Luck (Zezowate Szczesie) {Andrzej Munk, 1961, Poland}
  • Operation Correction {ACLU, 1961, USA}
  • Path, The {Richard Myers, 1961, USA}
  • Sin of Jesus, The {Robert Frank, 1961, USA}
  • Sunday {Dan Drasin, 1961, USA}
  • Taranta, La {Gianfranco Mengozzi, 1961, Italy}
  • Viridiana {Luis Buñuel, 1961, Spain/Mexico}
  • Birds, Orphans And Fools (Ptackove, Sirotci A Blazni) {Juro Jakubisco, 1961, France}
  • Blazes {Robert Breer, 1961, USA}
  • Cadeau, Le (The Gift) {Jacques Vausseur and Dick Roberts, 1961, France}

1962

  • Cosmic Ray {Bruce Conner, 1962, USA}
  • Eclipse, The (L’Eclisse) {Michelangelo Antonioni, 1962, France/Italy}
  • Among Men (Wuearod Ludzi) {Wladyslaw Slesicki, 1962, Poland}
  • Flaming Creatures {Jack Smith, 1962, USA}
  • Kiss {Andy Warhol, 1962, USA}
  • Knife In The Water (Noz W Wodzie) {Roman Polanski, 1962, Poland}
  • Jules and Jim {François Truffaut, 1962, France}
  • Labyrinth (Labirynth) {Jan Lenica, 1962, Poland}
  • Mammals (Ssaki) {Roman Polanski, 1962, Poland}
  • Reality Of Karel Appel, The (De Werkelijkheid Van Karel Appel) {Jan Vrijman, 1962, Holland}
  • Rogopag {Pier Paolo Pasolini, 1962, Italy}
  • Abominable Dr Hitchcock, The (L’Orribile Segreto Del Dottore Hitchcock) {Riccardo Freda (Robert Hampton), 1962, Italy}
  • Blue Moses {Stan Brakhage, 1962, USA}

1962-67

  • Andrei Roublev (Andrej Rubljow) {Andrei Tarkovsky, 1962-67, USSR}

1963

  • Dr Strangelove: Or How I Learned To Stop Worrying And Love The Bomb {Stanley Kubrick, 1963, Great Britain}
  • Eat {Andy Warhol, 1963, USA}
  • All My Babies {George Stoney, 1963, USA}
  • Eater, An {Kazutomo Fuzino, 1963, Japan}
  • Hands Over The City (Le Mani Sulla Citta) {Francecso Rosi, 1963, Italy}
  • House Is Black, The (Khaneh Siah Ast) {Foroogh Farrokhzad, 1963, Iran}
  • Jetee, La {Chris Marker, 1963, France}
  • Josef Kilian (Postava K v Podpirani) {Pavel Juracek and Jan Schmidt, 1963, Czechoslovakia}
  • Machine, The (Maszyna) {Daniel Szczechura, 1963, Poland}
  • Mosaic In Confidence (Mosaik Im Vertrauen) {Peter Kubelka, 1963, Austria}
  • Muriel {Alain Resnais, 1963, France/Italy}
  • Pianissimo {Carmen D’Avino, 1963, USA}
  • Renaissance {Walerian Borowczyk, 1963, France}
  • Servant, The {Joseph Losey, 1963, Great Britain}
  • Silence, The (Tystnaden) {Ingmar Bergman, 1963, Sweden}
  • Stranger Knocks, A (En Fremmed Banker Pa) {Johan Jacobsen, 1963, Denmark}
  • Twice A Man {Gregory J. Markopoulos, 1963, USA}
  • Chair, The (Fotel) {Daniel Szczechura, 1963, Poland}

1963-4

  • Sleep {Andy Warhol, 1963-4, USA}

1963-7

  • Lapis {James Whitney, 1963-7, USA}

1963/4

  • Blow Job {Andy Warhol, 1963/4, USA}

1963/69

  • Mama And Papa (Mama Und Papa) {Otto Muehl, 1963/69, Austria}

1964

  • … And The Fifth Horseman Is Fear (A Paty Jezdec Je Strach …) {Zbynek Brynch, 1964, Czechoslovakia}
  • Church Bell, The (La Cloche) {Jean L Hote, 1964, France}
  • Dear John (Kaere John) {Lars Magnus Lindgren, 1964, Sweden}
  • Empire {Andy Warhol, 1964, USA}
  • Fat And The Lean, The (Le Gros Et Le Maigre) {Roman Polanski, 1964, France}
  • Games Of The Angels (Les Jeux Des Anges) {Walerian Borowczyk, 1964, France}
  • Gestapoman Schmidt (Powszedni Dzien Gestapowsca Schmidta) {Jerzy Ziarnik, 1964, Poland}
  • Hard Day’s Night, A {Richard Lester, 1964, Great Britain}
  • I Was A Kapo (Bylem Kapo) {Tadeusz Jaworski, 1964, Poland}
  • Identification Marks: None (Rysopis) {Jerzy Skolimowski, 1964, Poland}
  • Aos {Yoji Kuri, 1964, Japan}
  • It Happened Here {Kevin Brownlow and Andrew Mollo, 1964, Great Britain}
  • Love (Ai) {Yoji Kuri, 1964, Japan}
  • Married Woman, The (La later Une Femme Mariee) {Jean-Luc Godard, 1964, France}
  • O.K. {Walter Heynowski, 1964, East Germany}
  • Onibaba {Kaneto Shindo, 1964, Japan}
  • Ordinary Courage (Kazdy Den Odvahu) {Evald Schorm, 1964, Czechoslovakia}
  • Before The Revolution (Prima Delia Rivoluzione) {Bernardo Bertolucci, 1964, Italy}
  • Woman Of The Dunes (Suna No Onna) {Hiroshi Teshigahara, 1964, Japan}
  • Brig, The {Jonas Mekas, 1964, USA}

1964-7

  • Fuses {Carolee Schneemann, 1964-7, USA}

1965

  • Echoes Of Silence {Peter Emanuel Goldman, 1965, USA}
  • Far From Vietnam (Loin De Vietnam) {Resnais, Varda, Godard, Marker, Kein, Ivens and Lelouch, 1965, France}
  • Hopeless Ones, The (Also: The Round-Up) (Szegenylegenyek) {Miklós Jancsó, 1965, Hungary}
  • Loved One, The {Tony Richardson, 1965, Great Britain}
  • Archangel Gabriel (Archangel Gabriel A Pani Husa) {Jiri Trnka, 1965, Czechoslovakia}
  • Loves Of A Blonde (Lasky Jedne Plavoulasky) {Milos Forman, 1965, Czechoslovakia}
  • Night And Fog (Nuit Et Brouillard) {Alain Resnais, 1965, France}
  • Nothing Happened This Morning {David Bienstock, 1965, USA}
  • Now (Ahora) {Santiago Alvarez, 1965, Cuba}
  • Nun, The (La Religieuse) {Jacques Rivette, 1965, France}
  • My Dearest Wish (Nejvetsi Prani) {Jan Sprata, 1965, Czechoslovakia}
  • Oh Dem Watermelons {Robert Nelson, 1965, USA}
  • Ordinary Fascism (Obyknovenni Fashizm) {Mikhail Romm, 1965, USSR}
  • Prune Flat {Robert Whitman, 1965, USA}
  • Reflection (Zrcadleni) {Evald Schorm, 1965, Czechoslovakia}
  • Repulsion {Roman Polanski, 1965, Great Britain}
  • Rite Of Love And Death (Yukoku) {Yukio Mishima, 1965, Japan}
  • Shadow Of An Apple {Robert Lapoujade, 1965, France}
  • Untitled (Bez Naslova) {Borivoj Dovnikovic, 1965, Yugoslavia}
  • Vali {Sheldon and Diane Rachlin, 1965, USA}
  • Verificata Incerta, La {Gian Franco Barucello, Alberto Griffi, 1965, Italy}
  • Walkover {Jerzy Skolimowski, 1965, Poland}
  • Wandering (Bloudeni) {Jan Curik and Antonin Masa, 1965, Czechoslovakia}
  • War Game, The {Peter Watkins, 1965, Great Britain}
  • Wholly Communion {Peter Whitehead, 1965, Great Britain}

1966

  • Daisies (Sedmikrasky) {Vera Chytilova, 1966, Czechoslovakia}
  • Death Of A Bureaucrat (La Muerte De Un Burocrata) {Tomas G. Alea, 1966, Cuba}
  • Embryo, The {Koji Wakamatsu, 1966, Japan}
  • Flesh Of Morning {Stan Brakhage, 1966, USA}
  • Flicker {Tony Conrad, 1966, USA}
  • 12-12-46 {Bernard Stone, 1966, USA}
  • Hand, The (Ruka) {Jiri Trnka, 1966, Czechoslovakia}
  • Happiness (Le Bonheur) {Agnes Varda, 1966, France}
  • Masculine-Feminine (Masculin- Feminin) {Jean-Luc Godard, 1966, France}
  • Memorandum {Donald Brittain and John Spotten, 1966, Canada}
  • Persona {Ingmar Bergman, 1966, Sweden}
  • Battle of Algiers, The (La Bataglia Di Algeria) {Gillo Pontecorvo, 1966, Italy}
  • Relativity {Ed Emshwiller, 1966, USA}
  • Report On The Party And The Guests (O Slavnosti A Hostech) {Jan Nemec, 1966, Czechoslovakia}
  • Secret Cinema, The {Paul Bartel, 1966, USA}
  • Secret Formula (La Formula Secreta) {Ruben Gomez, 1966, Mexico}
  • Simon Of The Desert (Simon Del Desierto) {Luis Buñuel, 1966, Mexico}
  • Belle De Jour {Luis Buñuel, 1966, France}
  • Troublemakers {Robert Machover and Norman Fruchter, 1966, USA}
  • Two Or Three Things I Know About Her (Deux Ou Trois Choses Que Je Sals D’Elle) {Jean-Luc Godard, 1966, France}
  • Vietnam, Land of Fire {No credits available, 1966, France}
  • Wall, The (Zid) {Ante Zaninovic, 1966, Yugoslavia}
  • Warrendale {Allan King, 1966, Canada}
  • Blow-Up {Michelangelo Antonioni, 1966, Great Britain}

1967

  • Chinoise, La {Jean-Luc Godard, 1967, France}
  • Chronicle Of Anna Magdalena Bach, The (Die Chronik Der Anna Magdalena Bach) {Jean-Marie Straub, 1967, Germany}
  • Critical Years, The (Kristove Roky) {Juro Jakubisco, 1967, Czechoslovakia}
  • Demonstrations (Strahov) {Anonymous, 1967, Czechoslovakia}
  • Depart, Le {Jerzy Skolimowski, 1967, Belgium}
  • Every Seventh Child {Jack Willis, 1967, USA}
  • Everything Is A Number (Wszystko Jest Liczba) {Stefan Schabenbeck, 1967, Poland}
  • Fly, The (Muha) {Alexsander Marks and Vladimir Jutrisa, 1967, Yugoslavia}
  • God is Dog Spelled Backwards {Don McLaughlin, 1967, USA}
  • Great Society, The {Fred Mogubgub, 1967, USA}
  • Hour Of The Blast Furnaces, The (La Hora De Los Hornos) {Fernando Solanas, 1967, Argentina}
  • I Am Curious Yellow/Blue (Jag Ar Nyfiken – Gul/Bla) {Vilgot Sjoman, 1967, Sweden}
  • Jamestown Baloos {Robert Breer, 1967, USA}
  • Laughing Man, The (Der Lachende Mann) {Walter Heynowski and Gerhard Scheumann, 1967, East Germany}
  • Archaeology (Archaeologia) {Andrzej Brzozowski, 1967, Poland}
  • Meditation On The End Of Human Life (Posledni Veci Cloveka) {Jovan Kubicek, 1967, Czechoslovakia}
  • Naissant {Stephen Dwoskin, 1967, Great Britain}
  • Off-On {Scott Bartlett, 1967, USA}
  • People And Their Guns, The (Le Peuple Et Ses Fusils) {Joris Ivens and film collective, 1967, France}
  • Portrait Of Jason {Shirley Clarke, 1967, USA}
  • Railroad (Eisenbahn) {Lutz Mommartz, 1967, Germany}
  • Self-Obliteration {Jud Yalkut, 1967, USA}
  • Bed, The {James Broughton, 1967, USA}
  • Sighet, Sighet {Harold Becker, 1967, USA}
  • Signs of Life (Lebenszeichen) {Werner Herzog, 1967, Germany}
  • Silence And Cry (Csend Es Kialtas) {Miklós Jancsó, 1967, Hungary}
  • Souffrances D Un Oeuf Meurtri {Roland Lenthem, 1967, Belgium}
  • Titicut Follies {Frederick Wiseman, 1967, USA}
  • Violated Angels (Okasareta Byakui) {Koji Wakamatsu, 1967, Japan}
  • Wavelength {Michael Snow, 1967, USA}
  • Big Shave, The {Martin Scorcese, 1967, USA}
  • Affair Of The Heart Or The Tragedy Of A Switchboard Operator, An -also Love Affair (Ljubavni Slucaj Hi Tragedija Sluzbenice P.T.T) {Dusan Makavejev, 1967, Yugoslavia}

1968

  • Chotyn – 5km {Igor Kolovsky, 1968, USSR}
  • Cremator, The (Spalovac Mrtvol) {Juraj Herz, 1968, Czechoslovakia}
  • Aktion 540 {Werner Koenigs, 1968, West Germany}
  • Danish Blue (Det Kaere Legettff) {Gabriel Axel, 1968, Denmark}
  • Dead Movie {Taka Iimura, 1968, USA}
  • Death By Hanging (Koshikei) {Nagisa Oshima, 1968, Japan}
  • Deserter And The Nomads, The (Zbehove A Tulaci) {Juro Jakubisco, 1968, Czechoslovakia}
  • Documentary Footage {Morgan Fisher, 1968, USA}
  • Cybele {Donald Richie, 1968, Japan}
  • Faces {John Cassavettes, 1968, USA}
  • Flesh {Paul Morrissey, 1968, USA}
  • Germ And Chemical Warfare {CBS News, 1968, USA}
  • If {Lindsay Anderson, 1968, Great Britain}
  • Innocence Unprotected (Nevinost Bez Zastite) {Dusan Makavejev, 1968, Yugoslavia}
  • Apartment, The (Byt) {Jan Svankmajer, 1968, Czechoslovakia}
  • Joke, The (Zert) {Jaromil Jires, 1968, Czechoslovakia}
  • LBJ {Santiago Alvarez, 1968, Cuba}
  • Apropos Of A Person Variously Called Holy Lazarus Or Babaiu (Acerca De Un Personaje Que Unos Llaman San Lazaro Y Otros Llamen Bablu) {Octavio Cortazar, 1968, Cuba}
  • Mickey Mouse In Vietnam {Lee Savage, 1968, USA}
  • Money Order, The (Mandabi) {Ousamane Sembene, 1968, Senegal}
  • Most Beautiful Age, The (Nejkrasaetsi Vek) {Jaroslav Papousek, 1968, Czechoslovakia}
  • Number 4 {Yoko Ono, 1968, Great Britain}
  • On A Most Beautiful Meadow (Im Schönsten Wiesengrunde) {Peter von Guten, 1968, Switzerland}
  • Particularly Valuable (Besonders Wertvoll) {Helmuth Costard, 1968, Germany}
  • Pas De Deux {Norman McLaren, 1968, Canada}
  • Permutations {John Whitney, 1968, USA}
  • Barbarella {Roger Vadim, 1968, France}
  • Pilots In Pajamas (Piloten Im Pyjama) {Walter Heynowski and Gerhard Scheumann, 1968, East Germany}
  • Queen, The {Frank Simon, 1968, USA}
  • Razor Blades {Paul Sharits, 1968, USA}
  • Red And The White, The (Csillagosok, Katonak) {Miklós Jancsó, 1968, Hungary}
  • Be Sure To Behave (A Sekat Dobrotu) {Peter Solan, 1968, Czechoslovakia}
  • Revealer, The (Le Revelateur) {Philippe Garrel, 1968, France}
  • Samadhi {Jordan Belson, 1968, USA}
  • Spain 68 (España 68) {Unitelefilm Collective, 1968, Italy}
  • Beginning Of Life, The {Lars Wallen, 1968, Sweden}
  • Student Strike (Lipanjska Gibanja) {Zelimir Zilnik, 1968, Yugoslavia}
  • Town Presented To The Jews As A Gift By The Fuhrer, A (Mesto Darovane) {Vladimir Kressl, 1968, Czechoslovakia}
  • 2001 {Stanley Kubrick, 1968, Great Britain}
  • Beyond The Law {Norman Mailer, 1968, USA}
  • Vixen {Russ Meyers, 1968, USA}
  • Weekend {Jean-Luc Godard, 1968, France}
  • Yippie {Yippie Film Collective, 1968, USA}
  • Birth And Death {Arthur and Evelyn Barron, 1968, USA}
  • Bitter Grapes {Richard Bartlett, 1968, USA}
  • Bloodthirsty Fairy, The (La Fee Sanguinaire) {Roland Lenthem, 1968, Belgium}
  • Chinese Firedrill {Will Hindle, 1968, USA}

1968/9

  • Delaware {Newsreel film collective, 1968/9, USA}
  • Diary Of A Shinjuku Burglar (Shinjuku Dorobo Nikki) {Nagisa Oshima, 1968/9, Japan}
  • Heirs, The (Os Herdeiros) {Carlos Diegues, 1968/9, Brazil}

1969

  • Coming Apart {Milton Moses Ginsberg, 1969, USA}
  • Cow, The (Gav) {Daryush Mehrjui, 1969, Iran}
  • Damned, The (Caduta Degli Dei E, Götterd ämmerung) {Luchino Visconti, 1969, West Germany}
  • Destroy, She Said (Detruire, Dit-Elle) {Marguerite Duras, 1969, France}
  • Dinner Three Minutes {Jean-Paul Vroom, 1969, Netherlands}
  • Early Works (Rani Radovi) {Zelimir Zilnik, 1969, Yugoslavia}
  • Alone (Magany) {Vince Lakatos, 1969, Hungary}
  • Film, A (Un Film) {Sylvina Boissonnas, 1969, France}
  • Fingerexercise (Fingerübung) {Robert Schauer, 1969, Switzerland}
  • First Charge Of The Machete, The (La Primera Carga Al Machete) {Manuel Octavio Gomez, 1969, Cuba}
  • Funeral Parade Of Roses (Bara No Soretsu) {Toshio Matsumoto, 1969, Japan}
  • Gai Savoir, Le {Jean-Luc Godard, 1969, France}
  • Harry Munter {Kjell Grede, 1969, Sweden}
  • Hog Calling Blues {Neal Pace, 1969, USA}
  • Guidebook To Bonn And Environs (Stadtführer Für Bonn Und Umgebung) {Manfred Vosz, 1969, West Germany}
  • I’m A Man {Peter Rosen, 1969, USA}
  • Antonio-Das-Mortes {Glauber Rocha, 1969, Brazil}
  • Impudence In Grunewald (Unverschämtheit Im Grunewald) {Otmar Bauer, 1969, Germany}
  • Institutional Quality {George Landow, 1969, USA}
  • Jan Palach {Anonymous, 1969, Czechoslovakia}
  • Katzelmacher {Rainer Werner Fassbinder, 1969, West Germany}
  • Lion’s Love {Agnes Varda, 1969, USA}
  • Look At Life {Nicholas Gosling, 1969, Great Britain}
  • Lovemaking {Stan Brakhage, 1969, USA}
  • Macunaima {Joachim Pedro de Andrade, 1969, Brazil}
  • Maria-Conception Action – Hermann Nitsch (Maria-Empfangnis – Aktion Hermann Nitsch) {Irm and Ed Sommer, 1969, West Germany}
  • Memories Of Underdevelopment (Memorias Del Subdesarollo) {Tomas G. Alea, 1969, Cuba}
  • Merry Working Class (Vesela Klasa) {Bojana Marijan, 1969, Yugoslavia}
  • Milky Way, The (La Voie Lactée) {Luis Buñuel, 1969, France/West Germany/Italy}
  • Necrology {Standish Lawder, 1969, USA}
  • Note From Above, A {Derek Phillips, 1969, Great Britain}
  • Orange {Karen Johnson, 1969, USA}
  • Our Lady Of The Sphere {Larry Jordan, 1969, USA}
  • Our Lady Of The Turks (Nostra Signora Dei Turchi) {Carmelo Bene, 1969, Italy}
  • Passing Days (Idu Dani) {Nedeljko Dragic, 1969, Yugoslavia}
  • Per Aspera Ad Astra {Nedeljko Dragic, 1969, Yugoslavia}
  • Pigpen (also: Pigsty) (II Porcile) {Pier Paolo Pasolini, 1969, France/Italy}
  • Pravda {Jean-Luc Godard and Dziga Vertov group, 1969, France}
  • Putney Swope {Robert Downey, 1969, USA}
  • Rape {Yoko Ono, 1969, Great Britain}
  • Salesman {David and Albert Maysles, 1969, USA}
  • Satyricon {Federico Fellini, 1969, Italy}
  • See You At Mao (also: British Sounds) {Jean-Luc Godard and Dziga Vertov group, 1969, France/Great Britian}
  • 79 Springtimes (79 Primaveras) {Santiago Alvarez, 1969, Cuba}
  • Superior Toys – Made In The USA (Feine Spielwaren – Made In USA) {Guenter Raetz, 1969, East Germany}
  • Take Me {Stephen Dwoskin, 1969, Great Britain}
  • Tom, Tom, The Piper’s Son {Ken Jacobs, 1969, USA}
  • Unfolding {Constance Beeson, 1969, USA}
  • Visual Training {Frans Zwartjes, 1969, Holland}
  • Winter Wind (Sirocco) {Miklós Jancsó, 1969, Hungary}
  • Woodstock {Micheal Wadleigh and Bob Maurice, 1969, USA}
  • Black Panthers {Agnes Varda, 1969, USA}
  • Black TV {Aldo Tambellini, 1969, USA}
  • Boy (Shonen) {Nagisa Oshima, 1969, Japan}
  • Capricci {Carmelo Bene, 1969, Italy}
  • Child Undernourishment (Desnutricion Infantil) {Alavaro Ramirez, 1969, Chile}

1970

  • Claires Knee (Le Genou De Claire) {Eric Rohmer, 1970, France}
  • Akran {Richard Myers, 1970, USA}
  • Conformist, The (II Conformista) {Bernardo Bertolucci, 1970, Italy/France/West Germany}
  • Decameron, The (II Decamerone) {Pier Paolo Pasolini, 1970, Italy/France/Germany}
  • Alienist, The (Il Alienista) – (Azyllo Muito Louco) {Nelson Pereira Dos Santos, 1970, Brazil}
  • Don Juan Don Giovanni {Carmelo Bene, 1970, Italy}
  • Eight Flags For 99 Cents {Charles Olin, 1970, USA}
  • Eikka Katappa {Werner Schroeter, 1970, West Germany}
  • Electrosex {Anonymous, 1970, USA}
  • Even Dwarfs Started Small (Auch Zwerge Haben Klein Angefangen) {Werner Herzog, 1970, West Germany}
  • Events {Fred Baker, 1970, USA}
  • Evil Hour, An {Peter Wolff, 1970, USA}
  • Fata Morgana {Werner Herzog, 1970, West Germany}
  • Five Easy Pieces {Bob Rafelson, 1970, USA}
  • Gimme Shelter {Albert Maysles and David Maysles, 1970, USA}
  • Gods And The Dead, The (Os Deuses E Os Mortes) {Ruy Guerra, 1970, Brazil}
  • Golden Positions, The {James Broughton, 1970, USA}
  • Hiroshima {M. Ogasawara and Y. Matsukawa, 1970, Japan}
  • How I Became A Negro (Wie Ich Ein Schwarzer Wurde) {Roland Gall, 1970, West Germany}
  • Ice {Robert Kramer, 1970, USA}
  • Kirsa Nicholina {Gunvor Nelson, 1970, USA}
  • Apotheosis/Apotheosis 2 {John Lennon, 1970, Great Britain}
  • Lickerish Quartet, The {Radley Mertzger, 1970, USA}
  • Kodak Ghost Poems, also Adventures of the Exquisite Corpse {Andre Noren, 1970, USA}
  • Love Story {Arthur Hiller, 1970, USA}
  • Man Who Left His Will On Film, The (Tokyo Senso Sengo Hiwa) {Nagisa Oshima, 1970, Japan}
  • Mona {Bill Osco, 1970, USA}
  • Mr Freedom {William Klein, 1970, France}
  • Not All That Flies Is A Bird (Nije Ptica Sve Sto Leti) {Borislav Sajtinac, 1970, Yugoslavia}
  • Otmar Bauer Presents (Otmar Bauer Zeigt) {Otmar Bauer, 1970, West Germany}
  • Paradise Now {Sheldon Rachlin, 1970, Great Britain}
  • Prato Palomares {Andre Faria, 1970, Brazil}
  • Owl And The Pussycat, The {Herbert Ross, 1970, USA}
  • Que Hacer? {Saul Landau, James Becket, Rual Ruiz, Nina-Serrano, 1970, Chile-USA}
  • Quiet Days in Clichy {Jens Jorgen Thorsten, 1970, Denmark}
  • Race, The {William Copland, 1970, Australia}
  • Runaway {Standish Lawder, 1970, USA}
  • Beaver Films {Stag, 1970, USA}
  • Saturday Morning {Kent Mackenzie, 1970, USA}
  • Scandalous Adventures Of Buraikan (Buraikan) {Masahiro Shinoda, 1970, Japan}
  • Selective Service System {Warren Hack, 1970, USA}
  • Smoking {Joe Jones, 1970, USA}
  • Sodoma {Otto Muehl, 1970, Austria}
  • Sort Of A Commercial For An Icebag {Michel Hugo, 1970, USA}
  • Suppression Of Women Is Recognizable Above All By The Behaviour Of The Women Themselves!, The (Die Unterdrückung Der Frauen Ist Vor Allen Am Verhalten Der Frauen Selber Zu Erkennen!) {Helmuth Costard, 1970, Germany}
  • Tales {Cassandra Gerstein, 1970, USA}
  • Tales of Kubelkind (Geschichten vom Kubelkind) {Ula Stoeckl and Edgar Reitz, 1970, West Germany}
  • Time Of Violence (Tempo Di Violencia) {Anonymous, 1970, Argentina}
  • Trash {Paul Morrissey, 1970, USA}
  • Tropic Of Cancer {Joseph Strick, 1970, USA}
  • Twilight Of The Damned, The (L’Aube Des Damnes) {Ahmed Rachedi, 1970, Algeria}
  • Vampyr (Portabella) {Pedro Portabella, 1970, Spain}
  • Why Not {S. Arakawa, 1970, USA}
  • Zorn’s Lemma {Hollis Frampton, 1970, USA}
  • Blood Of The Condor (Yawar Mallku) {Jorges Sanjines, 1970, Bolivia}
  • Breathing Together: Revolution Of The Electric Family {Morley Markson, 1970, Canada}

1971

  • Color Film {Standish Lawder, 1971, USA}
  • Culebra: The Beginning (Culebra) {Diego de la Texera, 1971, Puerto Rico}
  • Damon The Mower {George Dunning, 1971, Great Britain}
  • Death In Venice (Morte A Venezia) {Luchino Visconti, 1971, Italy}
  • Death Of Maria Malibran, The (Der Tod Der Maria Malibran) {Werner Schroeter, 1971, Germany}
  • Dove, The {George Coe, 1971, USA}
  • Emitai {Ousamane Sembene, 1971, Senegal}
  • End of One, The {Paul Kocela, 1971, USA}
  • Family {Hubert Smith, 1971, USA}
  • Fly {Yoko Ono, 1971, USA}
  • For Example {S. Arakawa, 1971, USA}
  • Frenzy {Alfred Hitchcock, 1971, Great Britain}
  • Further Adventures Of Uncle Sam {Robert Mitchell and Dale Chase, 1971, USA}
  • Glen And Randa {Jim McBride, 1971, USA}
  • Go-Between, The {Joseph Losey, 1971, Great Britain}
  • Andromeda Strain, The {Robert Wise, 1971, USA}
  • Hail {Fed Levinson, 1971, USA}
  • Hellstrom Chronicle, The {Walon Green and Ed Spiegel, 1971, USA}
  • History Of The Blue Movie {Alex de Renzie, 1971, USA}
  • Holding {Constance Beeson, 1971, USA}
  • How Tasty Was My Little Frenchman (Como Era Gostoso 0 Meu Frances) {Nelson Pereira Dos Santos, 1971, Brazil}
  • I Love You, I Kill You (Ich Liebe Dich, Ich Tote Dich) {Uwe Brander, 1971, West Germany}
  • I’m Going To Give You All My Love {Jerrold Peil, 1971, USA}
  • In Marin County {Peter Hutton, 1971, USA}
  • Interviews With My Lai Veterans {Joseph Strick, 1971, USA}
  • It Is Not The Homosexual Who Is Perverse But The Situation In Which He Lives (Nicht Der Homosexuelle Ist Pervers, Sondern Die Situation In Der Er Lebt) {Rosa Von Praunheim, 1971, West Germany}
  • Kama Sutra Rides Again {Bob Godfrey, 1971, Great Britain}
  • Land Of Silence And Darkness (Land Des Schweigens Und Der Dunkelheit) {Werner Herzog, 1971, West Germany}
  • Lascivious Wotan, The (Der Geile Wotan) {Otto Muehl, 1971, Austria}
  • Last Picture Show, The {Peter Bogdanovich, 1971, USA}
  • Liberation Of Mannique Mechanique, The {Steve Arnold, 1971, USA}
  • Lightning Waterfall Fern Soup {Shelby Kennedy, 1971, USA}
  • Mailman, The (Postschi) {Daryush Mehrjui, 1971, Iran}
  • Make Love, Not War (Volite Se A Ne Ratujte) {Zlatko Grgic, 1971, Yugoslavia}
  • Males, Les {Gilles Carle, 1971, Canada}
  • Man From Onan {Alan Ruskin, 1971, USA}
  • Margalit, The Highway Queen (Malkat Hakvish) {Menachem Golan, 1971, Israel}
  • Moonwalk No. 1 {NASA, 1971, USA}
  • Murder Of Fred Hampton, The {Mike Gray, 1971, USA}
  • Murmur Of The Heart (Souffle Au Coeur) {Louis Malle, 1971, France}
  • Nebula II {Robert Frerck, 1971, USA}
  • Olympiad {Lillian Schwartz, 1971, USA}
  • Palestine {Nick Macdonald, 1971, USA}
  • Punishment Park {Peter Watkins, 1971, Great Britain}
  • Recruits in Ingolstadt (Pioniere In Ingolstadt) {Rainer Werner Fassbinder, 1971, West Germany}
  • Reed (Mexico Insurgent) (Reed: Mexico Insurgente) {Paul Leduc, 1971, Mexico}
  • Revolutionary Was A Cop, The {Marc Weiss, 1971, USA}
  • Beauty Knows No Pain {Elliott Erwitt, 1971, USA}
  • Role Of My Family In The World Revolution, The (Vloga Moje Porodice U Svetskoj Revoluciji) {Bata Cengic, 1971, Yugoslavia}
  • Room Service 75 {Fred Baker, 1971, USA}
  • Running Shadow {Robert Fulton, 1971, USA}
  • Saint Michael Had A Rooster (San Michele Aveva Un Gallo) {Paolo and Vittorio Taviani, 1971, Italy}
  • Schoolgirl {David Reberg, 1971, USA}
  • Secrete Of Life {Victor Faccinto, 1971, USA}
  • Sex {David Avidan, 1971, Israel}
  • Sorrow And The Pity, The (Le Chagrin Et La Pitie) {Marcel Ophuls, 1971, Switzerland}
  • Straw Dogs {Sam Peckinpah, 1971, USA}
  • Sudden Wealth Of The Poor People Of Kombach, The (Der Plötzliche Reichtum Der Armen Leute Von Kombach) {Volker Schloendorff, 1971, West Germany}
  • Runs Good {Pat O’Neill, 1971, USA}
  • Susan After The Sugar Harvest {Peter Robinson, 1971, USA}
  • Technique and The Rite, The (La Tecnica E II Rito) {Miklós Jancsó, 1971, Italy}
  • This Is It {James Broughton, 1971, USA}
  • Three Lives {Kate Millett, 1971, USA}
  • Valparaiso, Valparaiso {Pascal Aubier, 1971, France}
  • Viva La Muerte {Arrabal, 1971, France}
  • WR – Mysteries Of The Organism (WR – Misterije Organizma) {Dusan Makavejev, 1971, Yugoslavia}
  • Why (Hvorfor Goer De Det?) {Phyllis and Eberhard Kronhausen, 1971, Denmark}
  • Woman’s Film, The {Judy Smith, Louise Alaimo and Ellen Sorrin (San Francisco Newsreel film collective), 1971, USA}
  • Black Pudding {Nancy Edell, 1971, Great Britain}
  • Blood (Le Sang) {Jean-Daniel Pollet, 1971, France}
  • Acupunctural Anaesthesia {Peking Television, 1971, China}
  • Brazil: A Report On Torture {Saul Landau and Haskell Wexler, 1971, Brazil}
  • But Do Not Deliver Us From Evil (Mais Ne Nous Deliverez Pas Du Mal) {Joel Seria, 1971, France}
  • Canyon {Jon Jost, 1971, USA}
  • Casting, The {James Pasternak, 1971, USA}

1972

  • Clockwork Orange {Stanley Kubrick, 1972, Great Britain}
  • Co-Co Puffs {Ira Wohl, 1972, USA}
  • Continuing Story Of Carel And Ferd, The {Arthur Ginsburg, 1972, USA}
  • Deep Throat {Gerard Damiano, 1972, USA}
  • Discreet Charm Of The Bourgeoisie, The (La Charme Discrete De La Bourgeoisie) {Luis Buñuel, 1972, France}
  • Emperor Tomato Ketchup {Shuji Terayama, 1972, Japan}
  • Everything You Always Wanted To Know About Sex, But Were Afraid To Ask {Woody Allen, 1972, USA}
  • Fritz The Cat {Ralph Bakshi, 1972, USA}
  • Goalie’s Anxiety At The Penalty Kick, The (Die Angst Des Tormanns Beim Elfmeter) {Wim Wenders, 1972, Austria}
  • Hamburg October 1923 Insurrection, The (Der Hamburger Aufstand Oktober 1923) {Reiner Etz, Gisela Tuchtenhagen and Klaus Wildenhahn, 1972, West Germany}
  • Heat {Paul Morrissey, 1972, USA}
  • Here Comes Every Body {John Whitmore, 1972, USA}
  • Last Tango In Paris (L’Ultimo Tango A Parigi) {Bernardo Bertolucci, 1972, France/Italy}
  • Life With Video {William Walker, 1972, USA}
  • Marjoe {Howard Smith and Sarah Kernochan, 1972, USA}
  • Particle Removal Series {David McCullough, 1972, USA}
  • Red Psalm (Meg Ker A Nep) {Miklós Jancsó, 1972, Hungary}
  • Red Squad {Howard Blatt and Steve Fisher, 1972, USA}
  • Région Centrale, La {Michael Snow, 1972, USA/Canada}
  • Robert Wall, Ex-FBI Agent {Michael Anderson, Paul Jacobs, Saul Landau, Bill Yahrans, 1972, USA}
  • Roma {Federico Fellini, 1972, Italy}
  • Tout Va Bien {Jean-Luc Godard, 1972, France}
  • Bells Of Silesia, The (Das Unheil) {Peter Fleischmann, 1972, West Germany}
  • Tup-Tup {Nedeljko Dragic, 1972, Yugoslavia}
  • UFO’s {Lillian Schwartz and Ken Knowlton, 1972, USA}
  • What Goes On At Sex Therapy Clinics {Community Medical Cable Casting, 1972, USA}
  • Wintersoldier {Winterfilm Collective, 1972, USA}
  • Act Of Seeing With Ones Own Eyes, The {Stan Brakhage, 1972, USA}

1973

  • O Lucky Man {Lindsay Anderson, 1973, Great Britain}

1976

  • Fireman’s Ball (Hori Ma Panenko) {Milos Forman, 1976, Czechoslovakia}
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10 Kommentare zu “Film als subversive Kunst {Amos Vogel}

  1. Pingback: Film als subversive Kunst {Amos Vogel} | Stubenhockerei

  2. Pingback: The Great Train Robbery {Edwin S. Porter, 1903} | Stubenhockerei

  3. Pingback: Work {Charlie Chaplin, 1915} | Stubenhockerei

  4. Pingback: Sunnyside {Charlie Chaplin, 1919} | Stubenhockerei

  5. Pingback: Meshes of the Afternoon {Maya Deren & Alexander Hammid, 1943} | Stubenhockerei

  6. Pingback: The Private Life of a Cat {Alexander Hammid (& Maya Deren), 1944} | Stubenhockerei

  7. Pingback: Nosferatu {Friedrich Wilhelm Murnau, 1922} | Stubenhockerei

  8. Pingback: Basic Autopsy Procedure {US Army, 1961} und The Act of Seeing with One’s Own Eyes {Stan Brakhage, 1971} | Stubenhockerei

  9. Pingback: The Pilgrim {Charlie Chaplin, 1923} | Stubenhockerei

  10. Pingback: Häxan: Witchcraft Through The Ages {Benjamin Christensen, 1922/1968} | Stubenhockerei

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